My dress is done and under wraps for now, but I enjoyed the process of finishing so much that I can’t keep those details to myself! I handpicked the zipper into the skirt, which was my first time doing so and I’m beyond happy with it – I found the process calming (the opposite of previous zipper insertions) and it looks great. I’m not sure I’ll ever machine stitch a zipper again. I found that the zipper almost entirely disappears into the gathers, taking the term invisible zipper to another level.
For the bodice, I made rouleau loops using the remaining taffeta and some lace covered buttons that I got on Etsy. Initially, I tried using elastic button loops that I also got on Etsy, but they ended up being too stretchy and I think that the taffeta loops ended up looking nicer overall.
I slip-stitched the bodice lining to the center back and waist of the bodice. And just like that, there’s nothing left to do (technically)! But I couldn’t stop there – I added some temporary ribbon hanger straps because the dress is surprisingly heavy and I was worried about having too much weight hanging on the lace.
The very last touch, was this something blue cutie – shout out to Meg Barr for the logo.
With the dress finished, I’ll be exploring accessories next!
Typically, I prewash my fabric. However, I ultimately decided not to for this project. The fabric store’s website suggests dry cleaning for most of the fabrics, and I didn’t know whether that’s something a dry cleaner would even do (if anyone has done this, please let me know!). Also, based on the information I could find, washing can change the sheen and structure of silk taffeta which I didn’t want to risk. I considered handwashing the netting, but with over 25 yards needed it sounded nightmarish, at best.
Without needing to prewash, I was in a stand off with my final fabric for several days because I was too scared to cut into it. It was helpful for me to focus solely on the first step, which was also a lesson in sewing “by the book”. I have never found the grain of the fabric at the cut end, and I can’t say that I will always do it for future, less-fancy projects because it was kind of a pain and it hasn’t cause any issues (that I know of) for projects in the past. It was interesting to do anyway.
The good news is that silk taffeta unravels quite easily, so it wasn’t too challenging, just time consuming. But the bad news is that once the pieces were cut out, they began to fray almost immediately. I first used tailor’s tacks to mark the darts, the boning lines on the lining, and the notches on the bodice. I read that you should not cut notches into the seam line when using taffeta, because that would encourage fraying, but I knew that once I serged the edges the notches that I had cut beyond the seam allowance would be gone. I also didn’t want to risk leaving marks on the fabric using any kind of marking chalk or pen. I found tailor’s tacks to be tedious initially but kind of therapeutic once I got in the swing of it. Then I accidentally cut into my fabric with my new (and very sharp) scissors while I was cutting one of the loops and they were back to tedious.
Remember when I said that I am often winging it? And remember when I decided to cut off the seam allowances from the arms and neckline because I decided I only wanted one layer of overlay on the bodice? Well. I chose a stretch lace and it was reeeeal stretchy. I was worried about how the lace would hold up to the weight of the skirt, so I decided that I would actually do two layers, but use a dress tulle for the second layer. That way, it would be almost invisible while keeping the lace from streching. That meant that those seam allowances that I had taken off, I had to add right back on.
I sewed the side seams using two rows of basic straight stitches. Easy. For the armholes and neckline, I decided I’d do a french seam. Have I ever done a french seam? No. Did I practice? No. But I read a lot about it and thought a lot about it so I should be fine, right? NO. Well, yes – kind of, but not really. I started with an armhole, and I sewed that first 3/8″ seam no problem. Then I started trimming it down to 1/8″. About halfway through I realized that I had the incorrect sides together. I was frustrated and had to take out the seam, which took a long time because finding a white thread among white lace is not easy. Then I reassessed the situation and I realized that I had in fact sewed it correctly the first time around. AWESOME. I was even more frustrated, but I had just learned an important lesson which is to step back when frustrated. So I took a break, listened to some sad songs, and considered my options. I was mostly worried about my sewing machine eating up the fabric if I were to sew a 1/8″ seam. I know that people sometimes use tissue paper to stabilize netting, so I decided to try that first. If that hadn’t worked, I planned to just remove the seams and recut those pieces using the spare fabric that I had. The good news is that the tissue paper did work which I found pretty impressive.
I finished all the seams, assembled the bodice underlay, and basted the underlay to the overlay with no further problems. The darts were sewn in after the layers had been basted together through all three layers of fabric, so the darts would be hidden in the lining. Even though it’s typically said that you don’t have to finish seams if they are enclosed in a lining, I used a bit of fray check on the taffeta to be safe.
The midriff was pretty straightforward – I basted some lace to taffeta so that it wasn’t sheer over the lining and then attached it to the bodice. After this was all done, I breathed a sigh of relief and crossed my fingers that I had gotten all of the road bumps out of the way early on.
The lining is next, which is basically the same as the main taffeta fabric plus boning, but I had done a practice round of this with some cheap fabric (another lesson learned) so I’m less worried about moving forward with that.
I was happy with the way the bodice turned out, but I wanted to add a little something extra. I decided that something was a v-shaped back along with moving the closure from a side zip to a back zip/button combo. The modifications were fairly simple – I drew a straight line from the shoulder seam of the bodice overlay to 5/8 inch from the center back of the bodice to accommodate for seam allowance. I then drew a straight line from the top of the side seam to 5/8 inch from the center back of the bodice. At this point, I was a little concerned about whether the waist would be too tight so I added a 1/4 inch to the center back of the bodice and midriff pieces.
I used some mesh fabric to give the modified pattern a try and there was some gaping at the back. I shortened the back strap a bit and used clips to pinch out the rest of the gaping, which I then marked and transferred back to the pattern.
Finally, I cut out lace pieces with the final modified pattern and it looked like the gaping had been remedied.
Since I had decided on using lace, I ordered several samples from Mood Fabrics. Typically, I really try to stay away from polyester and nylon because they don’t breathe, or at least that is what my brain has decided. But, a lot of the lace that I liked consisted largely of either polyester or nylon. Also, non-breathable lace must be an oxymoron…it’s literally full of holes.
I liked all of the laces, but some of them (the guipure and corded lace) didn’t seem suitable at all for this project. In the case of the guipure, it was too heavy and gap-y. The corded lace looked really beige in person and had no give at all. Lucky for me, those were also the most expensive. Between the remaining four, it was mostly down to which pattern I liked the most. I decided on the Ivory Scallop-Edged Stretch Lace because the pattern seemed pretty consistent so I wouldn’t have to worry as much about pattern placement and I preferred the size of the mesh holes and the ivory color. It was also super soft and I thought the stretch would make fitting a little easier.
I knew that I wanted to use silk taffeta for the bodice and the underskirt, but I ordered some swatches of that for color selection (ivory, diamond white, and white). Now call me crazy, but I couldn’t tell a difference. It took trying out several different types of lighting, white pieces of paper, consultation with my personal color expert (AKA my sister, an artist), consultation with my personal bridal expert (AKA my cousin and bridal salon owner), and consultation with pretty much anyone who would look at them. I literally brought these swatches to family gatherings to get people’s opinions.
Since the taffeta would be covered between multiple other layers and the colors were so similar, I think I spent too much time debating which to buy. Eventually, I was able to see the difference. Although looking back at this photo, I think I’ve lost it again. Regardless, I ended up going with the diamond white, which, from what I remember, was somewhere in between the ivory and white.
The overskirt consists of six layers, two of which are contrast. I decided to use ivory english net for the main fabric of the skirt because I love how soft and romantic it is. For the skirt contrast, I chose to use tulle to give a little more volume and a little sparkle. It took a few weeks to receive all of the fabrics, since some were on backorder. But, it’s finally time to get started on the real deal!
Initially, I planned to make the bodice using taffeta with an organza overlay similar to the pattern envelope. I wanted to give it a try with some more affordable fabrics before I made the final product, but during my “quick trip” to Joann’s I was intrigued by a lace fabric that I spotted. For the sake of being confident in my final decision, I decided to make a sample bodice from both organza and lace fabric. Then I also bought some plain mesh so I could be EXTRA sure about my fabric choice. I started out by making the organza bodice and was sold. But, there were still some fit issues. After I made a second bodice using the lace fabric, I was torn. The lace was much easier to work with and since the fabric was more forgiving, the fit looked a lot better. Despite the fact that lace would make my project so much easier, I struggled to let go of the initial organza style that I had envisioned.
Is fabric like a wand? The fabric chooses the sewist? Because after a couple days mulling things over, I was fully on board with the lace. I couldn’t fight that fact that it looked and felt the best. However, choosing the lace meant I wanted to make some minor pattern alterations.
The pattern called for the sheer overlay to have a full facing with the same fabric, so there would ultimately be two layers of organza attached at the armholes and neckline to enclose the seams. Because lace doesn’t fray and I thought it would have looked too busy with two layers of lace, I decided to eliminate the second layer which meant I had to remove the seam allowance from the armholes and neckline. Otherwise, the switch from organza to lace didn’t require any changes…but I decided to make some anyway.
This is the part where I confess that I’m often winging it. I got my start sewing with a lot of guidance passed down from my grandma, to my mom, to me, but beyond that I’m self-taught. That being said, these posts are not meant to be instructional! I will link resources when I can, since they will do a better job explaining details than I ever could.
I came around to muslins about a year ago after one too many scrapped projects, and I’ll never look back! I’m far from the standard measurements that a single size within a sewing pattern fits and while grading between sizes helps, there’s nothing that compares to the fit of projects that I’ve made after one or two (or more!) test garments.
For this project, I first traced the bodice pattern pieces for a size 10 bust graded to a size 12 waist and it was both snug in the waist and loose under the armpit. So, I added 1/4 inch to to the bottom of the midriff side and took in nearly an inch at the top of the bodice side which seemed to remedy the fit issue.
For the underskirt, I decided to stray from the pattern and use the flared skirt from the Charm Patterns Night and Day Dress – I was concerned that the skirt included in the McCall’s pattern wouldn’t have enough volume to achieve my cupcake goals, which I assume will require a petticoat underneath. I’ve made the Night and Day dress previously, so I already knew that I loved the fit/shape and I didn’t include the skirt in my first muslin.
Several years ago, I saw a sewing pattern and thought it would be my dream wedding dress. Then, about a year ago, I saw that the pattern was out of print. Naturally, I immediately bought it…just in case. The pattern (McCall 6466) is for a mix-and-match prom dress that requires some imagination beyond the envelope. However, it had the key features I was interested in – an illusion neckline, boned bodice, and tea length tulle skirt.
In November, Patrick and I got engaged during a trip to Puerto Rico and it wasn’t long before I decided that I wanted to make my dream dress a reality.
It’s time to put all that imagining into practice and I’ll be posting some peeks into the sewing process along the way. First things first, I’ll be putting together a muslin and some mock-up bodices to explore which fabrics I’ll ultimately be using and what modifications (if any) I’ll be making.